A clutch of terrific debuts breathes new life into Christopher Wheeldon’s production
Also reviewed: hip-hop company ZooNation revive their first-rate Mad Hatter’s Tea Party
With his new Indian-inspired ‘Gigenis’ and a ‘Giselle’ revival, the dancer draws on his heritage and the western ballet tradition
The group’s programme at London’s The Place features two contemporary pieces — ‘The Flock’ and ‘Moving Cloud’
‘Il Cimento dell’Armonia e dell’Inventione’, created with Radouan Mriziga, comes in the wake of a newspaper investigation
Programme from the reborn company at Sadler’s Wells, London, was a flavoursome blend of old and new
The first Black étoile at the Paris Opera Ballet talks racism, regimens and recognition
The in-demand dance-maker brings the colossal and the contemporary into genre-crossing work
Michael Bennett and Marvin Hamlisch’s audition musical looks behind the scenes at Broadway’s hard-knock life
Artistic director Wayne McGregor has chosen choreographers from around the world, including Trajal Harrell and Cristina Caprioli
The double bill of ‘Outsider’ and ‘Möbius Morphosis’ involves plenty of high-wire spectacle, yet doesn’t quite take off
At London’s Roundhouse, the Argentinian group’s latest circus-clubbing crossover has a party atmosphere
The Ustinov Studio in Bath hosted the final instalment of the choreographer’s project based on Ovid’s ‘Metamorphoses’
The dancer-choreographer updates his 2015 production at Sadler’s Wells but its flaws remain
The British choreographer offers a world premiere at the Montpellier Danse festival. Also reviewed: Saburo Teshigawara
Derek Deane’s in-the-round staging for English National Ballet features fine soloists and supersized ensembles
‘Yerbagüena’ at Sadler’s Wells highlights the star’s remarkable skills
The two companies were part of a month-long celebration at London’s Royal Opera House
The Spaniard, known for her subversive takes on the genre, is performing one of her most exhilarating but unsettling works in London
A rare visitor from the Royal Ballet proved invigorating while the last dance from the retiring Myriam Ould-Braham brought tenderness
The company’s mixture of camp satire and bravura technique arrived in Yokohama to loud applause
The company’s big-corps version at the Albert Hall adds to a rich mix of alternatives from Georgia, China and the Royal Ballet
The Royal Ballet’s staging features a splendid cast who get their teeth into chewy roles
Spring gala at Lincoln Center featured new works by Justin Peck and Amy Hall Garner
The premiere of ‘Cycles’ at London’s Barbican lacked shape but not spectacle
